Mini-simulado de Inglês

Responda as questões

4 questões · uma por tema · sem limite de tempo

1. 1ENEM 2022 · Identidade cultural e diversidade linguística

   We walked on, the stranger walking with us. Taylor Franklin Bankole. Our last names an instant bond between us. We’re both descended from men who assumed African surnames back during the 1960 s. His father and my grandfather had had their names legally changed, and both had chosen Yoruba replacement names. “Most people chose Swahili names in the ’60s”, Bankole told me. He wanted to be called Bankole. “My father had to do something different. All his life he had to be dif ferent”. “I don’t know my grandfather’s reasons”, I said. “His last name was Broome before he changed it, and that was no loss’. But why he chose Olamina…? Even my father didn’t know. He made the change before my father was born, so my father was always Olamina, and so were we. BUTLER, O. E. Parable of the Sower. New York: Hachette, 2019 (adaptado). Nesse trecho do romance Parable of the Sower , os nomes “Bankole” e “Olamina” representam o(a)

   Escolha a alternativa correta

   A)

   priorização do uso do inglês.

   B)

   resgate da identidade africana.

   C)

   existência de conflitos de gerações.

   D)

   afastamento da convivência familiar.

   E)

   desconhecimento de origens genealógicas.

2. 2ENEM 2023 · Integração entre linguagem verbal e não verbal

   MCPHAIL, W. Disponível em: https://fineartamerica.com. Acesso em: 25 out. 2021.

   Ao utilizar a expressão “be a shame if something were to happen to it”, o pássaro

   
   Escolha a alternativa correta

   A)

   expressa uma ideia de ameaça.

   B)

   demonstra uma sugestão de alimento.

   C)

   exprime uma sensação de vergonha.

   D)

   revela uma ocorrência do passado.

   E)

   retrata uma tentativa de aproximação.

3. 3ENEM 2023 · Identificação de tom, atitude e ponto de vista do autor

   Things We Carry on the Sea

   We carry tears in our eyes: good-bye father, good-bye [mother We carry soil in small bags: may home never fade in our [hearts We carry carnage of mining, droughts, floods, genocides We carry dust of our families and neighbors incinerated [in mushroom clouds We carry our islands sinking under the sea We carry our hands, feet, bones, hearts and best minds [for a new life We carry diplomas: medicine, engineer, nurse, [education, math, poetry, even if they mean [nothing to the other shore We carry railroads, plantations, laundromats, [bodegas, taco trucks, farms, factories, nursing [homes, hospitals, schools, temples... built on [our ancestors’ backs We carry old homes along the spine, new dreams in our [chests We carry yesterday, today and tomorrow We’re orphans of the wars forced upon us We’re refugees of the sea rising from industrial wastes And we carry our mother tongues (...) As we drift... in our rubber boats... from shore... to shore... [to shore...

   PING, W. Disponível em: https://poets.org. Acesso em: 1 jun. 2023 (fragmento).

   Ao retratar a trajetória de refugiados, o poema recorre à imagem de viagem marítima para destacar o(a)

   Escolha a alternativa correta

   A)

   risco de choques culturais.

   B)

   impacto do ensino de história.

   C)

   importância da luta ambiental.

   D)

   existência de experiências plurais.

   E)

   necessidade de capacitação profissional.

4. 4ENEM 2020 · Vocabulário contextual e polissemia

   Women in Theatre: Why Do So Few Make It to the Top? An all-female Julius Caesar (A Shakespeare play) has just hit the stage, but it's a rarity in theatre. In a special report, Charlotte Higgins asks leading figures why women are still under represented at every level of the business — and what needs to change. HIGGINS, C. Disponível em: www.guardian.co.uk. Acesso em: 12 dez. 2012. O vocábulo “ rarity ” tem um papel central na abordagem do assunto desse texto, que destaca a

   Escolha a alternativa correta

   A)

   falta de público feminino na plateia dos teatros.

   B)

   ausência de roteiros de autoria feminina.

   C)

   resistência dos diretores a personagens femininas.

   D)

   escassez de representação feminina no meio teatral.

   E)

   desvalorização da performance feminina no palco.